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See here for an introduction to the KYST project
KYST 05 Unpacking in dawn’s gloom, the fresh south-westerly bit into my hands. The wind, though cold, was invigorating and I quickly huddled under the shelter of my ‘M60’ giant brolly, and carried on where I had left off the week before.

As I sat and painted the emerging day’s light, a kestrel appeared as a black cross in the distance, hanging in the onshore wind over the grass and brush that bordered the sandy shore. The wind must have been perfect for the little bird as it managed to remain completely still, as if pinned to the sky, making constant small adjustments of its tail and the angle of wings. Then it would wheel around and take up a new position, a little closer towards where I was sitting. This went on for some time. Every now and then it would make an aborted dive, or a hooded crow would mob it momentarily. Soon, it was right over my head, completely oblivious to me, as I sat and sketched and sketched.

A connection with a bird like this is my ‘endgame’. By intently looking, following and drawing I become completely lost in the moment nothing exists other than the bird in its environment and its connection to my eye and my consciousness. It blows my mind to witness such a creature, battling in the wind, struggling to survive, perfectly evolved. By looking and drawing I raise the level of my own connection to the bird. Amazing… I’ve always had ‘a thing’ for kestrels anyway – it was actually the first bird I learnt to draw over 40 years ago…
Time flew and after the kestrel moved on, and after I had talked to TV2 Bornholm who were on their own journey around the island, I packed up and headed north towards Hasle. Heading into the harbor area, I stopped in the shelter of some trees and made a couple of sketches of a Herring Gull, sitting stoically in the freezing surf.

Walking around the deserted harbor area in Hasle, I wasn’t feeling ‘it’. II walked past the chimneys of the herring smokery, and read some information panels that described Hasle’s fishing past. Just a few decades ago Bornholm’s fishing industry was lucrative and coastal towns with a good harbor like Hasle did a roaring trade. But then, in the mid 80’s it collapsed through overfishing, and has never really recovered. Hasle has since reinvented itself as a tourist destination. It lacks the charm of the prettier East coast towns, but seems somehow more honest. It certainly wasn’t charming today, as the cold wind and lack of sun presented a rather depressing prospect.

I struggled with the straight lines and concrete of the harbor. Once again I cowered under the M60 and looked for birds again. Some cormorants were resting on the harbor arms, throwing some amazing shapes.


Time was running out and I walked back along the harbor arm and then onward to the marina, where rows of new smart terraced summerhouses sit overlooking rows of small sailboats. I looked around for inspiration, never a good idea, and wrestled with the familiar question of what and why. I want my paintings to reflect my day’s experience, but I also want them rooted in the place where they are created. But I’m not making a bloody guidebook. I finished off with a wide angled view of the darkening clouds, tinged with orange, and behind which the invisible sun set. Hasle’s strange hodgepodge of a silhouette, with grain silos, diving platforms and boats of all types, glowered silently below.

KYST 05
Weather report = overcast. 1 – 3 °C. Wind 5 – 8 m/s from Southwest. Visibility: Good. Hours of sunshine: nada
Lessons learned – need to enjoy being in the towns more
Stops with the M60 = 3
Kilometres walked = 5.70km
Day lasted = 9 hours, 03 minutes
Birds seen and heard = 22 species (2 new ones = running total 40)
Other stuff = a possible rock pipit amongst the rocks. Could have been a meadow pipit. I love wrens, had no idea there were so many of them on the coast.
People talked to = 2
In my head = Chess moves. Human evolution. Should I go out and get drunk on Friday night? My foot black and blue and sore because I fell during Floorball on Monday. 10km race on sunday, can I run it?











I headed north, facing the ragged collection of fishermens’ huts at ‘Sorthat Odde’. The sun had broken the horizon now, and the fine colours together with the contour-like lines of shingle and seaweed left by the waves caught my eye. I made an unsuccessful study of some mosses, lichen and a small dead fish which I found on the water’s edge (a sea trout, a smolt?), and then a charcoal drawing of an incredible root system of a pine tree, perched on the edge of the dune between the beach and the forest. The black centre surrounded by twisted roots looked like a portal to the underworld.











KYST 01 began with a touch of the ‘man flu’ and an unfamiliar feeling of apprehension – somewhere between anxiousness and excitement, almost as if I was starting a new job or something. I had arranged to meet Steffan from TV2 Bornholm and Kathrine from Radio P4 Bornholm – both there to cover the start of the ‘journey’. The sun was due to rise at 8:27am, so the plan was to be at the end of the northern pier of Rønne Harbour a little bit before to give me time to set up. On the way down to Rønne Kathrine called to say that there was no public access to the pier, so we raced around to find an alternative start point, which made for a rather farcical start to the project. In the grey drizzling rain, with my ridiculously overpacked rucksack, my ‘M60 Brolly’ (a giant umbrella) and huge chair, it all felt a bit weird, absurd even.








I propose then, to try to draw the public’s attention towards Jun Ichi Inoue’s sculpture, and to the merits and possibilities of public art. Hopefully people – ‘normal’ people – will come and take selfies and look at my painting and Jun Ichi Inoue’s sculpture. Hopefully they will react more positively to public art, who knows? I’m going to be employing the services of former students of mine from Bornholms Art School to help (it works out at about 80sq metres ‘on the ground’), as well as my own kids, and the whole thing is going to be a brilliant experience. Hopefully it’ll work out, and the rain will stay away for a while…



‘Villads fra Valby’ was the working name for a huge art project I worked on during the first half of 2017.







